All-American Sunday

Randall Thompson, 1899-1984

Randall Thompson, 1899-1984

This week at LCH we’re going all-American: the choir will be singing music by Randall Thompson (1899-1994) and I’ll be playing organ music by Gerald Near (b. 1942).

Most people associate Randall Thompson with his famous “Alleluia” — an unaccompanied anthem with only one word repeated over and over. Written in 1940, it was commissioned by Serge Koussevitzky and was a reflection of the world at war. I think the LCH Choir is one of few choral ensembles who can sing this piece without dropping in pitch! But this is a topic for another post, because this week the choir will sing movements from Thompson’s “The Peaceable Kingdom”: VII. Have ye not known, VIII. Ye shall have a song, and V. The paper reeds by the brooks.

The Peaceable Kingdom was commissioned in 1936 by the League of Composers of the Harvard Glee Club and Radcliffe Choral Society. The work was inspired by a painting of the same name, based on Isaiah 11:6-9: “The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the wolf and the young lion and the fatling together, and a little child shall lead them.” 

The Peaceable Kingdom, by Edward Hicks

The Peaceable Kingdom, by Edward Hicks

Gerald Near, b. 1942

Gerald Near, b. 1942

Gerald Near is a graduate of the University of Michigan (my good friend, Barbara Adler knows him) and is a prolific composer of organ and choral music. He first studied composition at the American Conservatory of Music in Chicago with Leo Sowerby. His works have been heard on NPR’s A Prairie Home Companion.  I’ll be playing all three movements of his “Suite for Organ,” a piece I know very well since I performed it on my senior recital in college.

I have a feeling that it is mere coincidence that we programmed music by American composers on that most American of festivals: Super Bowl Sunday!

 

Bookmark and Share
Posted in Choral Music | Tagged , , , , | Leave a comment

All in the family

The month of January has traditionally been one in which the LCH choir gets a break from Thursday rehearsals — and that is because at one time, several of the members went to sing in the chorus at Hawaii Opera Theatre. However, only David Del Rocco and Paul Schwind in the bass section were in last weekend’s opera production, Aida, but the choir has Thursdays off, anyway. I’ve really appreciated the break!

Mezzo-soprano Mary Phillips and Carl Crosier

Carl Crosier greets Mary Phillips after her dramatic singing as Amneris.

We were thrilled that mezzo-soprano, Mary Phillips was cast as Amneris, and her twin sister, Lori Phillips, was Aida. I always thought it interesting that identical twins would both be opera singers, but one would be a mezzo and the other a soprano. We asked Mary about it, and they decided early on in their careers to focus on different repertoire.

You see, we first met Mary in the year 2000 when she came to sing in the Lutheran Church of Honolulu’s groundbreaking performances of Bach’s St. Matthew Passion. She and bass Philip Cutlip and their son, Max, were our houseguests that week of rehearsals and the concerts. Since then we saw her and Philip in Glasgow, Scotland, where she sang Wagner’s Ring. Carl also saw them once in Boston. Mary came to Hawaii to sing Mahler with the Honolulu Symphony and Die Walküre with Hawaii Opera Theatre.

Aida was really a family affair not only with the Phillips sisters, but also the Kelsey family. Baritone Quinn Kelsey (who once sang a Bach cantata solo with LCH) was joined by his sister, Blythe Kelsey Takemasu, who sang the role of the High Priestess, and mother Debbie Kelsey was in the chorus.

Identical twin sisters, Lori and Mary Phillips are both opera singers.

Identical twin sisters, Lori and Mary Phillips are both opera singers.

Today the media was full of the good news about the newly-formed Hawaii Symphony — and that concerts will be presented starting March 4th.  Talk about rising from the ashes! They really blitzed the media with this news — there was a full-page spread in the newspaper, a piece on the television news and also a story and interview on Hawaii Public Radio.

It will be so good to have a live orchestra in Honolulu once more!

Bookmark and Share
Posted in Carl Crosier | Tagged , , , , , , , , , , | Leave a comment

An Organist’s ‘Oops!’

When I teach my young students about playing the organ, I ask them, “And what is the last thing you do after you finish playing your piece?” Push the Cancel button! That is to cancel any stops that are on to eliminate any “oops!” moments if your fingers happen to touch any keys by mistake after the piece is over. That is precisely what I didn’t do last Sunday when I finished playing the Hymn of the Day, and my right hand touched the keyboard with stops drawn after the hymn was finished. Oops!

This past week at Iolani School, we had a guest speaker in chapel who told us God had a sense of humor. So it was serendipitous that my friend from the Association of Lutheran Church Musicians (ALCM), Robin Knutson, posted this Guide to Understanding Your Organist on her FaceBook page:

Bach Prelude and Fugue: Organist is happy
French Toccata: Organist is very happy
French Toccata at double speed: Organist went to pub during sermon
Improvisation on hymn: Organist has lost glasses
Improvisation on popular song: Organist has lost temper
Long chord cluster: Organist has gone to sleep
Silence: Organist has gone to pub

Robin said she borrowed this from the organist of the First Methodist Church in Lodi, CA but I also found it on a humor page of a website for church organists called “Ye Olde Organist’s Humor Page” which you can find here. Here’s one of the jokes I liked there:

“When I grow up, I want to be a musician.”
“No, honey, you can’t do both.” 

That reminds me of a memorable Christmas Eve service which I played at Holy Nativity Church in Aina Haina where I was both the choir director and the organist. The organ console was located across the chancel and I looked at the choir at the other side through a plexiglass music rack. We were doing an extended choral work at the offertory, and I turned the page too fast. To my horror, the music fell onto the pedals (!) so I tried to pick it up with one hand, and keep playing with the other. One of the choristers looked over to see I was no longer in sight, and in a loud whisper said to one of the acolytes,  ”SHE DROPPED HER MUSIC!” The poor acolyte tried to help, and succeeded in getting the music back on the rack, but it was upside-down!

A horrible memory that will NEVER be erased!

Bookmark and Share
Posted in Katherine Crosier | Tagged , | Leave a comment

New (to us) Gospel Acclamations

In the Lutheran liturgy, the Gospel Acclamation, once known as the Alleluia, comes right after the second reading and precedes the reading of the Gospel. Verses are appointed for the day, which are sung after the Alleluia refrain. Over the years the LCH choir has sung settings by William Byrd, Heinrich Isaac, Carl Crosier, Peter Hallock, and Bruce Bengtson.

John Ferguson is a prolific composer of choral and organ music.

John Ferguson is a prolific composer of choral and organ music.

Starting from Christmas Day 2011 up to now, though, the choir has sung Gospel Acclamations by John Ferguson, (b. 1947) a prolific composer and organist who is the Elliot and Klara Stockdal Johnson Professor of Organ and Church Music at St. Olaf College, Northfield, Minnesota. Yes, it’s the same St. Olaf made famous by Rose Nylund of the Golden Girls sitcom!

We were fortunate to have Dr. Ferguson here in Hawaii for a Hymn Festival at Central Union Church a few years ago, along with his colleague from St. Olaf, Dr. Anton Armstrong. 

John Ferguson has composed Gospel Acclamations from Advent through Transfiguration.

John Ferguson has composed Gospel Acclamations from Advent through Transfiguration.

There is a fascinating interview with John Ferguson on the Augsburg Fortress website which you can read by clicking here, in which Ferguson talks about the challenges of church music, the role of the choir in worship, how to make aging choirs sound great, how to attract people in the thirtysomething age group and what makes good worship. I was particularly happy to read that there is a waiting list of students who wish to study organ at St. Olaf, and interest in the organ is high. I think Ferguson gave the interview while he was in the midst of writing these Gospel Acclamations (2006).

The refrains we have used to date have been identical, and have a handbell accompaniment. There is also an organ part but we haven’t used it yet and I’m guessing that you either use bells or organ, but not both. The verses, though, are completely different, as they are appointed for the particular Sunday.

John Ferguson will retire from St. Olaf in June 2012.

Bookmark and Share
Posted in Carl Crosier, Choral Music, Peter Hallock | Tagged , , , , , , , | Leave a comment

Vivace! 2012 to honor Carl Crosier

Carl Crosier will be honored by the Oahu Choral Society.

Carl Crosier will be honored by the Oahu Choral Society on March 10th.

Some of you may have received an email message from the Oahu Choral Society about their spring fundraising banquet and silent auction on March 10th. The Oahu Choral Society sponsors all the activities of the Honolulu Symphony Chorus and the Honolulu Chamber Choir. Their mission is “to present and promote choral music at the highest artistic level for the cultural enrichment, education, and aesthetic enjoyment of its members, the people of Hawaii and the global community.”

What’s happening is that this group will be honoring Carl Crosier, called “a renowned conductor, harpsichordist and countertenor soloist” who “retired in 2011 after 38 years as Cantor of the Lutheran Church of Honolulu,” according to the OCS website. “Haven’t I been honored enough?” Carl asked. “I don’t want such a fuss made again about me until my funeral!”

Carl Crosier

Carl Crosier

Back on November 18, 2006, Carl was honored by another choral organization, the Hawaii Vocal Arts Ensemble in their fundraiser called Crescendo. (If you click this link, you’ll see the same picture of Carl there. You mean he hasn’t changed in 6 years?) At that time he also received a Proclamation from Mayor Mufi Hannemann which proclaimed “Carl Crosier Day in Honolulu.”

Oahu Choral Society will honor Carl Crosier on March 10th

Oahu Choral Society

Vivace! 2012 will be held on Saturday, March 10th at 6:30 pm at the Honolulu Country Club and tickets may be purchased by going to the OCS website. Proceeds from this gala event will be used in support of the Honolulu Symphony Chorus and the Honolulu Chamber Choir for the 2012-2013 season. The award which will be given to Carl is called the “Dale R. Noble Award,” named for our dear friend, Dale Noble, who taught choral music for many years at Kamehameha Schools and even sung in the LCH Compline Choir, and occasionally, in the LCH mixed choir. Carl has asked Ian Capps and John Renke to speak on his behalf at the banquet.

I hope many of you will be able to join us in honoring Carl, who according to the OCS website, “conducted highly-acclaimed performances of Bach’s major choral works including the St Matthew Passion, St John Passion, and the Mass in B minor, as well as historic performances of Claudio Monteverdi’s Vespers of 1610.”

Yes, that and a whole lot more.

Bookmark and Share
Posted in Carl Crosier, Choral Music, Ian Capps, J. S. Bach, Monteverdi Vespers | Tagged , , , , , | Leave a comment

Four standing ovations

Ken Cowan with John McCreary and Governor Neil Abercrombie.

Ken Cowan with John McCreary and Governor Neil Abercrombie.

That’s what superstar organist, Ken Cowan, received at last Sunday night’s concert at St. Andrew’s Cathedral and I’m so sorry that I didn’t do more to publicize his recital through this blog so that more of you could have attended his fantastic program. His program showed not only all the colors of the Aeolian-Skinner organ, but also his great technical and musical prowess. His wife, Lisa Shihoten, a brilliant violin virtuoso, played the “Chaconne in G minor” by Tommaso Antonio Vitali and completely brought down the house and the audience to their feet. Ken is presently Associate Professor of Organ at Westminster Choir College (my alma mater) but will be moving to Rice University in Houston this coming fall.

Ken Cowan was John McCreary's assistant at St. James Church, New York City

Ken Cowan was John McCreary's assistant at St. James Church, New York City

By the way, the concert was a kickoff to the John McCreary Concert Fund of the American Guild of Organists, in tribute to his many contributions to the musical life of Hawaii. John was of course the Organist-Choirmaster of St. Andrew’s Cathedral for many decades, was my immediate predecessor at Iolani School and even sang in the LCH Compline Choir for several years.

I had gotten a telephone call in the afternoon from the Governor’s security detail, asking for a front row seat, so I gave them John Renke’s phone number to make sure that Governor Abercrombie would have a good seat. We were so pleased that Abercrombie publicly announced that he was giving $500 to the John McCreary Concert Fund, to perpetuate high quality organ recitals in Hawaii.

The Hawaii AGO Board with Ken Cowan (I'm in the front row!)

The Hawaii AGO Board with Ken Cowan and Governor Neil Abercrombie (I'm in the front row!)

As to my “silence” for the last week or so, the fact of the matter is, we are in the middle of another renovation to our condo, and I moved my computer to the other side of the apartment. Wouldn’t you know it, as soon as it was moved, we lost all contact to the internet. I was sure that everything was plugged in correctly and when I called our service provider, I was told that the problem was the modem — it died and they would send me another one right away.

Five days later, we’re connected again, and I must confess that these days of being cut off were frustrating, yet somehow liberating! I’ll be back to blogging on a more regular basis again.

Bookmark and Share
Posted in Carl Crosier | Tagged , , , , , | Leave a comment

Amazing coincidences

Rodney rehearses with the LCH choir.

Rodney rehearses with the LCH choir.

Sunday, January 8th was the Baptism of Christ and I programmed two settings of “Christ, unser Herr, zum Jordan kam” by J. S. Bach. They were both from a collection called “Clavierübung” or “keyboard practice,” which is sometimes referred to as Bach’s German Organ Mass because there are chorale preludes on the Ordinary — the Kyrie, the Gloria, etc.

Rodney greets people after the concert.

Rodney greets people after the concert.

Well, you’ll never guess that when I got into the car two Sundays ago, and as soon as I turned on the ignition, guess what was playing on “With heart and voice,” from public radio? Yes, it was “Christ, unser Herr, zum Jordan kam!” What was so amazing was that the performer was Joan Lippincott, my former teacher from Westminster Choir College!

For this past Sunday, I had asked Rodney Gehrke, our guest recitalist, to play something for the postlude as a “teaser,” in order to entice people to come back in the afternoon for his recital. So he told us he would play the final movement from Maurice Duruflé’s “Choral variations on ‘Veni creator spiritus’”

What a treat it was to have Rodney Gehrke!

What a treat it was to have Rodney Gehrke!

So when we got into the car on Sunday morning, as soon as I turned on the car, you’ll never guess what was playing on the radio — yes! the Duruflé ‘Veni Creator!’

I am always so happy to hear our organ in recital — you see, in our building the organist has the worst seat in the house because one does not get a sense of the true balance between the Great and the Swell divisions. Rod’s playing was so extremely clean and his colorful registration of the organ stops made for a delightful afternoon of organ music.

Thank you all for coming!

Bookmark and Share
Posted in Carl Crosier | Tagged , , , , , , , | Leave a comment

Two organ recitals in January

Rodney Gehrke at the Rieger organ at Seoul Theological Seminary, Korea.

Rodney Gehrke at the Rieger organ at Seoul Theological Seminary, Korea.

Yesterday when I opened the Star Advertiser newspaper, I cannot tell you thrilled I was to see Rodney Gehrke‘s picture prominently displayed in the entertainment section. Rodney arrived yesterday from San Francisco and will be playing a recital on the mighty Beckerath organ at the Lutheran Church of Honolulu, Sunday, January 15th at 4 pm. It is the 2nd concert of our Abendmusiken Series.

In this month’s issue of The American Organist, there was a very interesting commentary by Haig Mardirosian in which he talked about the culture of organ recitals. He says, “if orchestras and opera companies are dying, or at least struggling against serious, even terminal disease, then the organ recital world has long been in the lock of rigor mortis.”He asked the question, “What’s the smallest audience for whom you’ve ever played? Fifty? Twenty-five? Fourteen? Five?” Apparently poor organ recital attendance is the norm, not the exception.

Our retired colleague from St. Andrew’s Cathedral, John McCreary, used to say, “where two or three are gathered together, we’ll have an organ recital” (or something like that!)

Rodney Gehrke in Hawaii

Rodney Gehrke in Hawaii

As it turns out, there are TWO organ recitals happening in Honolulu this week, and when the norm is one or two per year, this is an embarrassment of riches. The other recitalist is Ken Cowan, from Westminster Choir College (my alma mater) and he will be playing at St. Andrew’s Cathedral on Sunday, January 22nd at 5:30pm, one week later. What is really freaky is that Rodney Gehrke played an organ recital in Korea in June–and Ken Cowan played a concert in Korea — the same week! Although the concerts were not on the same organ —Ken played the Fisk in Inchon and Rodney played the Rieger at the Seoul Theological University — they were in close proximity.  How is it that these two gentlemen would play organ recitals in the same week and in the same towns so far from home—first in Seoul, Korea, then in Honolulu, Hawaii? All within six months? And apparently, they’ve never met one another.

It’s too weird to explain!

By the way, Rod’s father, Hugo Gehrke, was our St. Andrew’s colleague, John Renke‘s organ teacher from the 9th grade! John says he has known “Roddy since he was a child.”

Long-time friends: (L-R), Carl Crosier, Rodney Gehrke, John Renke

Long-time friends: (L-R), Carl Crosier, Rodney Gehrke, John Renke

Bookmark and Share
Posted in Carl Crosier | Tagged , , , , , | Leave a comment

No crescendo pedal!

Former organ student, Joey Fala, has been at home for Christmas break from college, and he and I were talking about Toccata in D minor by Max Reger (1873-1916) which he has been learning. I was telling him, it was “a heck of a lot easier to play when you have a crescendo pedal,” but of course, there is no such device on the Beckerath organ. I used such a device when I played the Toccata two years ago at the annual Midsummer Night’s Organ Concert at Central Union Church.

The crescendo pedal as shown by the organist's right foot.

The crescendo pedal as shown by the organist's right foot.

For you non-organists, a crescendo pedal is a pedal on an electropneumatic or digital organ which gradually brings on more and more stops the further it is depressed. The effect that is created is a crescendo, and the sound gets louder and fuller. (Of course, you have to push the keys down at the same time!) This is all done electronically — the stop knobs don’t actually come out. By the same token, when you gradually ease off on the crescendo pedal, the opposite effect happens — stops are retired, and the sound gets softer and thinner.

In Reger’s Toccata, there are many phrases which go from pianissimo to fortissimo within a few measures. So what I do on the Beckerath organ is set up six toestuds, starting with Number 1 at pianissimo, add a few more stops for Number 2, add more for Number 3 and so forth, until I have full organ set on Number 6. Then I use my right foot to press the toe studs in rapid succession, about every half or quarter note to create the crescendo effect. I use my right foot because my left foot is busy playing the pedal notes.

Joey shared this YouTube video with me, in which the organist has no crescendo pedal either but instead has human assistants (called registrants) to pull the stops out for him. LCHers should recognize the piece instantly as I program it on a regular basis. The performer is Jos van der Kooy on the organ at St. Bavo’s Church, Haarlem, Netherlands. Enjoy!

P.S. Don’t forget Rodney Gehrke’s recital this Sunday, January 15th at 4 pm. In a couple of his pieces, he’ll have to make do without a crescendo pedal as well!

Bookmark and Share
Posted in Katherine Crosier | Tagged , , , , , , | Leave a comment

Compline Underground

Carl at St. Mark's Cathedral, Seattle, is wearing a 50th anniversary Compline shirt.

Carl at St. Mark's Cathedral, Seattle, is wearing a 50th anniversary Compline shirt.

Not too long ago, we were contacted by Ken Peterson, a singer in the Seattle Compline choir, for information about the Compline service at the Lutheran Church of Honolulu. Ken writes an excellent blog, Compline Underground, and he is beginning a new series of articles on the fifty plus Compline services which have been started since Peter Hallock founded Compline at St. Mark’s Cathedral, Seattle. The Honolulu Compline is definitely one which was inspired by the Compline Service in Seattle.

Peter Hallock conducts the 50th anniversary Compline rehearsal.

Peter Hallock conducts the 50th anniversary Compline rehearsal.

Ken’s blog posting, “Compline in Honolulu,” was just published, and it brought back many memories of the beginnings of our long association with Peter Hallock. You see, Carl used to attend the Seattle Compline service as a college student, as well as Advent and Good Friday Procession at St. Mark’s Cathedral. When Carl moved to Honolulu in 1972, it was the memory of those services that influenced him as he built the music program at LCH. What’s interesting is that Carl never spoke to Peter before he moved to Hawaii, and had to write a long letter of introduction in connection with asking him to share music. In those early days, Peter would send his manuscripts and Carl would return them, neatly re-transcribed in clearer and more readable music editions. In 1985, Ionian Arts was born, a music publishing company venture between the Crosiers and Peter Hallock.

Carl rehearses with the Seattle Compline choir.

Carl (in a dark green shirt) rehearses with the Seattle Compline choir.

As Ken writes, the Seattle Compline Choir came to Honolulu to sing at the 1979 Far West Regional Convention of the American Guild of Organists — at Carl’s invitation. The Seattle Compline Choir sang Compline at the opening service at St. Andrew’s Cathedral and I still remember how exquisitely beautiful it sounded. Later in the week, the Seattle and Honolulu Compline Choirs joined forces to sing a joint Compline at Kawaiaha’o Church.

We found Tom and Mary Kay Gething at the Seattle Compline 50th Anniversary celebration. Tom used to sing in the Honolulu Compline before moving to Seattle.

We found Tom and Mary Kay Gething at the Seattle Compline 50th Anniversary celebration. Tom used to sing in the Honolulu Compline before moving to Seattle.

Over the years Carl sang with the St. Mark’s Compline Choir on his many visits to Seattle, and we were there for the 50th anniversary in 2004, when these pictures were taken. By the way, the “medallion” that Carl is wearing around his neck was a souvenir that every Compline singer received at the 50th anniversary, listing how many years he sang with the choir. That being the year of the Olympics, Father Ralph Carskadden made “gold medals” for every singer. Carl also toured Russia, Scandinavia and England with the Seattle group on their 1997 and 2000 tours.

Bookmark and Share
Posted in Carl Crosier, Peter Hallock | Tagged , , , , , | Leave a comment