Brahms and Bruckner

Johannes Brahms

Johannes Brahms (1833-1897)

After playing the works of Bach the last few weeks, this week it will be romantic music. On Sunday I’ll be playing two chorale preludes from Johannes Brahms’ op. 122, “O wie selig Seid ihr Doch, ihr Frommen” for the prelude and “Herzlich tut verlangen” during communion. The choir will sing Brahms, too, for communion, a setting of Psalm 51: “Schaffe in mir, Gott.”

Usually when someone mentions Brahms, one thinks of the monumental works — Ein Deutsches Requiem (German Requiem) or the massive Symphonies. But the two chorale preludes I’m going to play are small pieces written in the last year of Brahms’ life, a premonition perhaps of his impending death. Except for one piece (“Es ist ein Ros entsprungen”) all of the preludes in Opus 122 deal with death. One of the pieces was O Welt, ich muss dich lassen ”O World, I now must leave thee” — maybe this was Brahms’ goodbye?

These are pieces that I often teach to students, not only for their simplicity, but to expose them to works of composers other than Bach. I was very interested to read an article on Brahms’ conflicted personality, which you can find by clicking here. The author, Arthur D. Colman, says “Descriptions of Brahms’s personality were contradictory: He was called gruff, generous, withholding, unpleasant, secretive, shy, mean, serious, boorish, and immature. He could be both fantastically loyal and alienating to his friends, many of whom were the great musical performers and critics of his day. He was a man defiant of convention and full of irony, reserve, and even meanness. While he could be kind and forthcoming with advice and aid and was extremely generous in providing fully for family, friends, and even other musicians, he allowed few close friendships lest they impinge on his freedom.” 

Anton Bruckner (1824-1896)

Anton Bruckner (1824-1896)

The choir will also sing “Ecce sacerdos magnus” by Anton Bruckner for the offertory. He was a friend of Gustav Mahler who said that he was “half-simpleton, half God.” Although he was a renowned organist in his day, Bruckner wrote no organ music.

And that’s why I don’t play any Bruckner!

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It’s Bach’s birthday

Happy Birthday, Bach!

Happy Birthday, Bach!

and we’ll be celebrating by performing lots of Bach at the Lutheran Church of Honolulu this Holy Week and Easter. There are certain pieces that I play every year, and that includes works by the birthday boy, 327 years young today.

On Maundy Thursday, I always play “O Lamm Gottes, unschuldig” (O Lamb of God most holy) from the Great Eighteen Chorales as the prelude. It’s the last big piece you’ll hear before the organ is silenced after the Gloria. This is one of those compositions that is near and dear to me because I played it for my Master’s recital at Westminster Choir College eons ago. It has three verses, with the melody appearing first in the soprano, then in the alto, then finally in the pedal, a steady downward movement perhaps signifying Christ’s descent into death.

The organ does not sound again until the Easter Proclamation of the Easter Vigil (“Christ is risen! He is risen indeed!”) and for more than 30 years I have played an abbreviated version of Bach’s “Komm, heiliger Geist” (Come, holy Spirit) as the bells of the church are rung during this glorious moment. Yup, I’ll use the zimbelstern too!

Happy Birthday à la Bach, by Dan Miller (click to enlarge)

Happy Birthday à la Bach, by Dan Miller (click to enlarge)

On Easter Day, for the prelude I will play the Sinfonia from Bach’s Cantata 35 (“Geist und Seele wird verwirret”) with the Bach Chamber Orchestra. The major work on this day, though, will be Bach’s monumental Motet No. 1, “Singet dem Herrn” (Sing unto the Lord) for double choir and orchestra. We will split it into three parts for the service, the first part at the offertory, the second during communion, and the last part as the postlude. When the LCH Choir first learned this work in 1982, we thought it was the most difficult choral piece we had ever encountered! Now, though, I think of it as a piece of cake! The choir will also sing this work on the next Abendmusiken concert, Saturday, April 21st at 7:30 pm.

Paul Jacobs

Paul Jacobs

To celebrate Bach’s birthday, the Wall Street Journal today published a story about organs and interviewed Juilliard organist, Paul Jacobs, who has played recitals in Hawaii twice and has been our houseguest. The article is called, “Great Music Needs No Apology.”

Amen to that, and Happy Birthday, Bach!

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Bring back the organ

The Rudolf von Beckerath organ (1975)

The Rudolf von Beckerath organ (1975)

There’s been a blog post about the organ that has been recently shared among those in the pipe organ community, and is well worth the lengthy read. I’m confident it would be interesting to readers of this blog so you can read the article in its entirety by clicking here.

The author debunks the popular notion that unchurched people are attracted to “non-churchy” elements, so they advocate discarding things like pulpits, baptismal fonts, pews, stained glass windows, choirs and organs.

On the contrary, the author lays out the following premises:

1.   The organ is the best man-made instrument for supporting congregational singing. This really hit home when, a few years ago, the LCH organ underwent restoration and we had to use the piano. I can honestly say that the singing was not as hearty as usual.

2.    The organ is made up of choirs. The various families of sound on the organ give almost limitless possibilities of tone color to lead the congregational singing every week. I change the registration of organ stops on every hymn verse to not only give variety but to illuminate the mood of the text.

Beckerath organ keyboard

Beckerath organ keyboard

3.   The organ is a powerful instrument. When I “pull out the stops” there’s no question who’s in charge! Long ago, I recognized the complete sense of power that the organist has in leading the service.

4.    The organ is a very expensive instrument. Well, yes and no. The price of a pipe organ is like that of buying a house. Our organ cost $100,000 in 1975, but it still sounds as new today, 37 years later. We live in a throwaway society yet the organ lasts and lasts. (The Beckerath organ will far outlive all of us.) According to the author, a pipe organ says,  “We are committed to excellence in church music, and we want to encourage that excellence for many, many generations to come.”

5.    The organ can help create a “church culture.” Do you think that the presence of the Beckerath organ re-invigorated the Lutheran Church of Honolulu? Surely it formed the foundation for its fine music program, which led to all those Bach cantatas, and the attraction of so many fine symphony musicians to its services.

Beckerath organ pipes

Beckerath organ pipes

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Vivace! photo album

Carl and Kathy Crosier.

Many of Carl Crosier's photos were displayed near the silent auction tables.

A picture is worth a thousand words! so I am displaying the following photos taken by Dave Miyamoto & Co. Photography at last Saturday night’s fundraiser for the Oahu Choral Society, honoring Carl Crosier. Copies of the photos are available for purchase by contacting Nada Marriott, with proceeds benefitting Oahu Choral Society. As with all photos I display on the blog, if you click the picture, you’ll see an enlarged view of it.

Some familiar faces: Allen Bauchle, Kathy Crosier, Carl Crosier, Ian Capps, Jeannette Johnson, Frank Haas.

Some familiar faces often seen around LCH: (L-R) Allen Bauchle, Kathy Crosier, Carl Crosier, Ian Capps, Jeannette Johnson, Frank Haas.

John Renke speaks on behalf of Carl.

John Renke speaks on behalf of Carl.

Ian Capps shows off the Carl Crosier T-Shirt, listing all the major works Carl conducted.

Ian Capps shows off the Carl Crosier T-Shirt, listing all the major works Carl conducted.

Even Carl Crosier smiled!

Even Carl Crosier smiled!

 

A magician entertained us at dinner, going around to each table.

A magician entertained us at dinner, going around to each table.

Carl is all smiles with Nyle and Kathy Hallman from Central Union Church.

Carl is all smiles with Nyle and Kathy Hallman from Central Union Church.

Everyone is all dressed up!

Everyone is all dressed up!

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The voice of Ionian Arts

The principals of Ionian Arts (2010)

The principals of Ionian Arts: The Crosiers are standing in the back of Jeane Turnell and Peter Hallock (seated)

Word was received yesterday, that Jeane Turnell passed away peacefully, at the age of 94. Chances are, you didn’t know Jeane — but she was for more than twenty years, the nice lady who answered the phone when you called Ionian Arts. The music publishing company was founded in 1986 by the Crosiers and composer Peter Hallock. We decided to hire a “Girl Friday” to fill our mail orders and to answer the phone, and Peter Hallock said he knew just the right person.

I decorated the table for Jeane's farewell luncheon.

I decorated the table for Jeane's farewell luncheon.

When we first met Jeane in 1987 and went to her house in Mercer Island, I said to Carl, “I can see that Ionian Arts has taken over THREE households!” since Jeane stored the choral inventory on her patio. The other two households, of course, were our own and that of Peter Hallock, who stored all the Ionian Psalter copies in his basement. That was why Ionian Arts had a post office address in Mercer Island, WA because it was close to Jeane’s home.

Jeane Turnell was the voice of Ionian Arts for more than 20 years.

Jeane Turnell was the voice of Ionian Arts for more than 20 years.

Jeane only retired from the company two years ago, in April 2010, and we flew to Seattle to give her a nice farewell luncheon. It was my job to decorate the table. Carl, of course, did all the cooking.

Thank you, Jeane, for all you did to greet and make our customers happy. She told us that she loved every minute of it, and enjoyed talking to churches all over the country.

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Ciaramella at LCH

Ciaramella (Photo by Peter Nagy)

Ciaramella (Photo by Peter Nagy)

Ever since the Lutheran Church of Honolulu was remodeled extensively in the early 70s, it has been associated with early music, like ham and eggs or peanut butter and jelly. That is because of the church’s intimate, yet ambiant acoustics, are ideal for chamber instrumental and vocal ensembles.

This Saturday, March 17th at 7:30 pm, LCH will be host to Ciaramella, one of America’s leading early music ensembles, sponsored by Early Music Hawaii. According to their website, Ciaramella has been “praised for performing intricate fifteenth-century counterpoint ‘with the ease of jazz musicians improvising on a theme,’ its members are united by the conviction that every composition conceals a rich story waiting to be unlocked through historical research and speculative performance.”

Ciaramella takes its name from the Italian shawm and from a fifteenth-century song about a beautiful girl whose clothes are full of holes. When she opens her mouth, she knocks men flat.

Members of the group playing on period instruments include: Adam Gilbert, Rotem Gilbert, Doug Milliken, Erik Schmalz and Jason Yoshida. They will be playing lively songs and foot-stomping dances form the 15th and 16th centuries on instruments such as recorders, shawms, dulcian, bagpipes, slide trumpet, sackbut, lute, guitar and theorbo.

Tickets are available at the door, or may be purchased online at Early Music Hawaii website.

Here’s a YouTube video of Ciaramella to whet your appetite. It will be a fantastic concert that is not to be missed!

 

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It’s never too late to learn

Pastor Jeff at the mighty Beckerath

Pastor Jeff at the mighty Beckerath

You’ll never guess who my newest organ student is. Why, it’s Pastor Jeff Lilley who approached me about lessons a few weeks ago! Like my other students, from age four to eighty-four, I’ve started him with Discover the Basics, a series by Wayne Leupold, a comprehensive method of teaching music reading, rhythm, theory, technique and even organ registration.

Pastor Jeff has an incredible ear for music, but long ago, relied upon his ear instead of learning how to read musical notation. Carl Crosier used to always say to people like Jeff, “Do yourself a favor. Take the time to learn musical notation and the world will be the better for it.” I do believe we are making progress!

Here are some of the words of wisdom I have given him (as well as my other students)

“It is better to spend 5-10 minutes a day practicing rather than try to cram it all in one or two days.”

“Do you brush your teeth every day? Then you need to practice every day.”

“You need to know the notes of the staff from memory, just like the multiplication tables.”

Piano Monkey is a simple music flash card application.

Piano Monkey is a simple music flash card application.

We found Pastor Jeff a simple flash card application for his iPad (Piano Monkey) which reinforces note-reading away from the keyboard.

Do you remember our LCH intern, Josh Graber? I gave him lessons from the same series, and I’ll never forget the day I came into the church, and found Josh accompanying on the organ for our former interim pastor, Steve Jensen (who is a good musician!)

By the way, I think my oldest student was the late Eloise Hayes, who was in her 90s when she died. She had two hip replacements but didn’t let that stop her from learning how to play the organ. I am happy to say that she indeed made progress, and I was especially pleased when, after the age of 85, she was able to make real music on the instrument, overcoming technical obstacles and making music expressive.

It all goes to show you that it’s never too late to learn!

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Carl Crosier’s Night

As people walked in, there is was a table with Carl's photos.

As people walked in, there is was a table with Carl's photos.

Vivace! honoring Carl Crosier

Vivace! honoring Carl Crosier

Last night was the Vivace! fundraiser for the Oahu Choral Society, a night in which the musical accomplishments of Carl Crosier were honored and celebrated. Held at the Honolulu International Club, the theme was Monte Carlo — and it was fun to see everyone dress up!

Carl Crosier, with Carol Langner and Pastor Fritz Fritschel. Carl said he knew Carol from the University of Washington days.

Carl Crosier, with Carol Langner and Pastor Fritz Fritschel (in a tuxedo!)

My biggest concerns for the night were: 1) Finding a dress to wear; and 2) Keeping secret (from Carl) the fact that I was asked to give a speech about him!

Carl with his long-time assistant, Allen Bauchle.

Carl with his long-time assistant, Allen Bauchle.

After dinner, Ian Capps (The Early Muse, Hawaii Public Radio) and John Renke (St. Andrew’s Cathedral) both spoke about how they met Carl and how important and widespread was his influence and vision for shaping choral music in Honolulu. Ian especially described the intense five month’s preparation for the Monteverdi Vespers and how the two performances were the most significant of his life. John commented on the collegiality of Carl’s and his relationship and how the two church entities (St. Andrew’s Cathedral and Lutheran Church of Honolulu) re-established their bonds and came together for a number of performances.

Then it was my turn, and I had loaded my speech on my iPad. Alas, I must have jiggled it somehow because when I opened up Notes, the first paragraph was gone and the rest of it was garbled! Thank goodness I had the presence of mind to also print out a hard copy! It was my job to tell people about some of the unknown facts about Carl, and I said that most people knew about him already from this blog. The highlights were: 1) When he was a toddler, he told his mother she was singing nursery rhymes out of tune; 2) When the Junior Choir at Holy Trinity Lutheran Church, Port Angeles, WA, had its picture taken for the local newspaper, his book closed while everyone else’s was open (See picture by clicking here). 3) The only class he did poorly in as a college student was Music before 1750; 4) We listened to the St. Matthew Passion every night for dinner for eight months straight; 5) it’s a wonder we haven’t killed each other off!

Here we are, all dressed up.

Here we are, all dressed up.

When Carl got up to speak, luckily the speech on his iPad was intact! He said he took his lead from his favorite actress, Meryl Streep, at the Academy Awards. He first thanked me, the long-suffering wife, collaborator, accompanist, partner-in-crime and therapist for the total insanity of the last 35 years. Then taking his lead from Streep again, said people probably thought, “Oh, no, not HIM again!” referring to all the hoopla surrounding his retirement from LCH after 38 years. Carl went on to say that he never thought of himself as particularly gifted or an extraordinary musician. But it was his “fearless tenacity” to guide people to bring out their very best to a musical performance which set him apart. (At the post-Monteverdi Vespers party, John toasted him as “The bravest man in Honolulu!”) Carl was not afraid to “reach for the moon” even in the face of formidable obstacles.

We thank you all for your support all these years!

Lots of bling in the table decorations.

Lots of bling in the table decorations.

 

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The symphony is back!

Ruth Shiroma Foster's picture of the opening night crowd.

Ruth Shiroma Foster's picture of the opening night crowd.

The buzz this whole week has been about the emotional homecoming the symphony musicians received at the inaugural concerts of the Hawai’i Symphony Orchestra. There have been numerous articles and reviews in the newspaper, radio and television, and I have provided links for you to re-read them  here:

HawaiiNewsNow: Hawaii Symphony Orchestra prepares for inaugural concert. This link has extensive comments by Jonathan Parrish (horn) about the return of many former Honolulu Symphony members from the mainland, as well as video.

The logo of the Hawai'i Symphony Orchestra

The logo of the Hawai'i Symphony Orchestra

Howard Dicus’ blog: Hawaii Symphony launches this week. He also wrote a post on the inaugural concert: Hawaii Symphony in business. He writes, “What a moment of relief, triumph and joy it was. What mana filled the hall!”

KHON “Hawaii Symphony Orchestra debuts to boisterous Beethoven.”

Star-Advertiser: “Standing ovation greets orchestra.”  (Unfortunately, this article is only a partial view of the entire column and can only be read by Star-Advertiser subscribers, but the gist of it is that the audience “stood and applauded, cheered, whooped and ‘Bravo’-ed well into overtime, until the musicians were finally led offstage…Like rain after a long drought, it was exhilarating to hear the orchestra again.” I especially liked this part of Ruth Bingham’s review: “Nothing approaches the sound of a live orchestra.”)

Pacific Business News: “Magic returns as Hawaii Symphony Orchestra takes stage.”

It was even mentioned on the public radio program, Performance Today, as Fred Child wrote on their FaceBook page: We reported the sad news of the bankruptcy and liquidation of the Honolulu Symphony in 2009 and 2010. *Very* pleased to report that the newly formed Hawaii Symphony Orchestra gave their first concert on Sunday. JoAnn Falletta is serving as Artistic Advisor, she has terrific conductors and soloists lined up for this spring. 2nd concert is tonight. Congratulations to ALL involved, and 3 cheers to the musicians! –Fred 

Oboeist Brian Greene (who has played plenty of times at LCH), said on his FaceBook page: We will never forget the love we all felt in the hall yesterday!

We went to last night’s concert since Carl was out of town last weekend, and no surprise, we saw a number of LCH parishioners there. I was upset, though, that a parent with two young children sat behind us, and we had to put up with a lot of audible talking and whining by the kids all during the first half of the concert, distracting us from hearing the beautiful music. Yes, I think it’s great that kids hear classical music — I was dragged to plenty of concerts by my parents. BUT — I didn’t make noise during the concert! Parents of toddlers need to get babysitters! (Sorry, that was my rant for the day!)

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A new psalm

Forrest Pierce

Forrest Pierce

Today on the Second Sunday of Lent, the LCH choir will debut a newly-composed Psalm 22 by composer Forrest Pierce, a friend of Miguel Felipe’s. From today’s Sunday bulletin:

Forrest Pierce’s music is not new to LCH audiences; we heard a movement of his il Cantico del Sole (2011) last September, and a psalm setting for Christmas Eve 2011. Today’s psalm is his second in an ongoing series of psalms for LCH. This work, however, has an especially important significance. Tomorrow, March 5th, Forrest and his wife, Jaci, will formally and legally take custody of their newly adopted son, Riyad Pierce, in Addis Ababa, Ethiopia’s capital city. Forrest found this text to be “especially poignant” when composing and those to use an Ethiopian pentatonic mode in setting these words of Psalm 22. Today’s music is offered “in honor of Riyad Pierce, and the Christians of Addis Ababa.”

The entire setting is unaccompanied, and has a chant-like antiphon on “All the ends of the earth remember and turn to the Lord.” Here’s the rest of the text:

You who fear the Lord, give praise! All you of Jacob’s line, give glory.
Stand in awe of the Lord, all you offspring of Israel.
For the Lord does not despise nor abhor the poor in their poverty;
neither is the Lord’s face hidden from them;
but when they cry out, the Lord hears them.

From you comes my praise in the great assembly;
I will perform my vows in the sight of those who fear the Lord.
The poor shall eat and be satisfied,
May your hearts live forever!

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